"Within this performative evolution memory is always held in suspense, stored in some unique place, perhaps in the manner de Kooning sees the history of art as "separate from all history, but connected." How such memory attaches to states of being will be in the phenomenal sphere of art where perception connects to the physical body--a new type of being that is opened as a horizon to include all distance, both without and within. Such a recognition describes the aim of theater which Grotowski poses like the intervention of Thomas who must overcome doubt by touching the essence of the intangible: "These investigations will be like a finger stuck in the wound of the spectator, who will see himself reflected in the mirror of the actor's actions.""(MEMORIES OF BEING: ORLAN'S THEATER OF THE SELF | David Moos)
Heading into final week of rehearsal ... posting translation of program ... English Program The space is prepared with sound. A woman appears. This is the place where she died. Returning, can she escape death, even knowing it? But, as if by fate, she falls again. In this scene, the image of her mother, who survived Japanese colonialism flashes before her, and the breath of her ancestors overlaps. Will there be those who remember her death? If so, what meaning will it hold? The first step, where even breathing is difficult and with her broken wings she attempts to fly. To fly for those who cannot reach the sea. Collecting strength she stretches to open her wings releasing the words to fly again. Introduction: What Remains Unspoken – Raymon Montalbetti Hidden Echoes is a work built on a timeless muse and a prophetic breath yet to be unleashed. Rather than interpreting the text of “Dictée” linearly, we sought to embody the traces of a shattered soul through gesture, sound, music, and ...
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