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Expressive Movement IV: The way towards a personal movement training. Investigating creative potentialities through a rigorous confrontation with the elements of an actors movement/action.   Aspects of inquiry: - Centering, grounding, body mapping, rhythm and flow - Space awareness devoted to:  taking care and reacting to the space,  spatial   balancing, creating partnership with the space, in the space with an object.                                      - Pre-creative potentialities of movement. - Plastiques and Corporals  (Jerzy Grotowski and the Teatr Laboratorium) - Relations between precision and organicity. - Associations: the impulses / the vigilant mind. - Associations within a structure. - Gesture (Michael Chekov) - Methodologies: theory and performance praxis    - Dancingness: Aliveness, presence a...

Fundamentals of Movement II: An actor ’ s movement training. Investigating an actor ’ s training through a rigorous confrontation with movement on the body, movement in space and movement as encounter.   Aspects of inquiry: - Centering, grounding, body mapping, rhythm and flow - Space awareness devoted to: taking care and reacting to the space,  spatial   balancing, creating partnership with the space - Plastiques and Corporals.  (Jerzy Grotowski and the Teatr  Laboratorium)                                      - Mask in movement. - Relaxation, flexibility, discipline, spontaneity. - Attention and connection. - Working with the dreaming body. - Associations and impulses. - Gesture. (Michael Chekov) - Energy, lightness and precision. - Creation of a movement score: its logic and actions. - Methodologies: theory and perf...