"Producing the sort of society which values music is more than critics can achieve. It goes to much deeper values built up over time and is particularly complex in a modern metropolis, which, of its nature, has several powerful forces which are somewhat antithetical to art. It also has the critical mass to enable diverse artistic activity to take place but, as we would all be aware, there are also many deadening effects. In the long term it is the art that is important, not the critics. Criticism is a good measure of social a democratic health but that doesn[base ']t automatically imply artistic health."(Critical Conversation II|Word without thoughts never to heaven go by Peter McCallum)
:: note :: . . . powerful forces that suck from the meaning of artwork/play turning it into a commodity . . . shoving to the periphery of survivial or manipulating the product for desire . . .
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