Wednesday, June 29, 2011

Journey Pouch


Blessings for the Journey

It has long been said that life is a journey. There are many different roads on this journey and today marks the end of one road and the beginning of another for all our graduates.

Their path through high school, which for most began at E.D. Feehan Catholic High School four years, is being celebrated today with the diploma that they proudly hold in their hands.

And now they step out into the big, bright, promising world ready to achieve their goals, hopes, and dreams for the future, knowing that all can be realized with God's help.

There is an ancient tradition in many cultures to gift a family member who is about to begin a new journey with a travel pouch containing items that they might need on the way.

At the Grade 12 retreat, these graduates received and decorated their very own travel pouches. They are marked with their name and adorned with symbols of their connection to the Feehan Family.

Today as we celebrate, these pouches will be presented to the graduates full of all the well wishes, prayers, and pride of the Feehan Family, who send them on their way.

Remember, you will always be a member of the Feehan Family. God Bless you all!

:: Note :: ... message to Grads of 2011 found on back of program ...

Saturday, June 25, 2011

ᕦTHA ...

ᕦ ᓳᐓ ᖡ - ᙔᕱᕆᒩ ᗛᔴᗐᖲᔕᗧᗨ ᙂ ᐤ ᕦ

ᕦTHA engages the ancestor, how to talk with her, how to let her speak or give her back speech in an act of counseling. Tell the story to the ancestor in ourselves. For the lives of others to truly matter the force of the ancestor must be encountered in ways that open the past wisdom of experience.

ᕦTHA is, in the words of Walter Benjamin in his essay 'The Storyteller', "less an answer to a question than a proposal concerning the continuation of a story which is just unfolding."

ᕦTHA enlists the ancestor to share identities of remembrance. An attentiveness that lives & moves from breath to breath, mouth to mouth, body to body, word to word & back again in the world which you carry.

... ᕦTHA

ᕦ ᓳᐓ ᖡ - ᙔᕱᕆᒩ ᗛᔴᗐᖲᔕᗧᗨ ᙂ ᐤ ᕦ

:: Note :: ... the above is my concluding statement to this past months wondrous actor's training quietly happening at the Temple ... a practice by a dedicated Kristen Holfeuer ... her search culminated in a sharing evening with a couple of trusting souls ... although many sources seemed to surround the search the spirit of Zygmunt Molik was omnipresent ... i dedicate this time to my mentor ... the markings are Canadian Aboriginal Syllabics which i used to document the body/voice/text "work" ... the question remains: what is this 'something' we share with? ... photo ...

Friday, June 17, 2011

Sisters


Took Mom to the airport. She will be attending her sisters funeral in Ottawa. By the time I received the message & booked her ticket she was calm & collected. The voice mail message was tearful & hysterical.

Mom remarked on the peaceful beauty of St. Patrick's Roman Catholic Cemetery. To rest in peace and have a place of natural beauty where family may take joyful remembrance is important.

Aunt Shirley, born New York, New York Thursday the 24th day of November 1927, had been a tragic figure in the family folklore. The last time I saw her she was in the hospital. Her concerned sons were suggesting nursing home care which she was resisting tooth & nail. I had expected to visit a disoriented and weak women instead was greeted with a huge smile and loads of spunk.

Despite her trials & tribulations I'm sure that's how she faced the world in her good times with smiles & spunk. She bears the name Theresa - also my sister's name & she too had a tragic path & she too faced the world with smiles & spunk. Names seem to carry the past into the present.

Mom is quiet and somewhat oblique regarding her family. She loves them dearly but is quite content to be independently loving them from afar. It's a trait I've inherited. Reflecting now I believe I've inherited many of Mom's traits. I watch her age gracefully and elegantly & wonder if I will go softly into the good night.

The family is fiecely proud of their Irish ancestory & the following was on the Funeral Card.

Remembered Joy

Don 't grieve for me, for now I'm free!
I follow the plan God laid for me..
I saw his face, I heard his call,
I took his hand and left it all...
I could not stay another day,
To love, to laugh, to work, or play;
Tasks left undone must stay that way.
And if my parting has left a void,
Then fill it with remembered joy.
A friendship shared, a laugh, a kiss...
Ah yes, these things I, too, shall miss.
My life's been full, I've savoured much;
Good times, good friends, a loved-one's touch.
Pehaps my time seemed all too brief-
Don't shorten yours with undue grief.
Be not burdened with tears of sorrow,
Enjoy the sunshine of the morrow.

~ Irish Wisdom ~

AeRan & Stan


Panel “Art and Archaeology”
Chair and discussant – Denis Samsonov (St. Petersburg State University)

1. Steven CHUNG (Princeton University): Cinema, Nationality, Archive
2. JEONG Ae Ran (Université Paris): Performance aesthetic and identity issues of Kumgangsan Gagukdan (금강산가극단), a professional arts troupe founded by Koreans in Japan
3. Nelly Georgieva-Russ (Academy of Korean Studies): Paintings of Immortals from the Mid-Chosŏn Period: An Album by Cho Sae-gŏl (1636-1706)
4. Maya STILLER (UCLA): "Masterpieces of Korean art" - A critical analysis of collecting and exhibiting Korean culture in Germany

:: Note :: ... AeRan in Moscow ... presenting at the 2011 AKSE conference at the Moscow State University Institute of Asian and African Studies June 17 - 20 ... there she found a monument to Stanislavski ... she claimed she was wanting to touch his precious hand ... i see her trying to pick his pocket ... she is simply amazing in her dedication & drive ... i am in awe ...

Wednesday, June 15, 2011

negotiations

Dueck shares her disappointment regarding mediation process
In perhaps her most frank comments to date during this protracted round of negotiations, Dueck implored teachers to remember that this has come to the point where it’s about much more than just the monetary issues. “We want to make sure our actions are not hurtful to teachers and the education system. This is bigger than about your pocket book– what we are also doing is trying to ensure that public education has a strong future, that it’s not destroyed in this province.” Saskatchewan Bulletin Vol 77 Number 10

:: Note :: ... negotiations by teachers with the breakdown of mediation talks seem headed towards ... well based on recent government actions ... not pleasant ... heart-rendering to advocate for education in a culture that revolves around an ill-conceived & short-sighted business agenda, a period of the privatisation of education ... but teaching itself is still fulfilling ...

Sunday, June 05, 2011

Pau Miró’s Buffalos

(Photograph by: Submitted photo, courtesy Arthur Despins)
“What I’m interested in is creating a relationship with an audience where we all say, ‘We don’t know,’” says Bentley-Fisher. “I find theatre often excruciatingly boring, because we all go there and celebrate what we know, and I find that really tedious — I want to go with people to where we don’t know, where we all take that chance. It’s not that we don’t care — we all want to know very, very badly — but it’s being willing to take that chance of not knowing. And colluding with an audience, saying, ‘This is well worth it, let’s all discover, let’s all try to find it out.’
“So, we’re very ambitious. We’re trying to get to the heart and the truth of something. That’s where our ambitions lie.” (Planet S | From Catalonia With Love | May 19-June 1 Vol.9 Issue. 19)
"Buffalos by Pau Miró dealt with the repercussions of an unstable family life, the physical abuse and the abandonment of a group of siblings who will have to fight for their survival and will develop very distinct mechanisms of dealing with the reality outside the four walls of their house. The fable core of the play transports us to a continent full of wild life, buffalos, lions, elephants and giraffes." (The Catalan Connection)
"Pau Miró’s Buffalos tells the story of five siblings who run the laundry & a quarter of the city and must confront the disappearance of a sixth brother. Aggressiveness, loneliness and survival are some of the background themes of the work ... a tragicomic trilogy with absurdist overtones are "set in the Raval neighborhood, which inspires playwright & director Pau Miró's work with its “charged urban cocktail” of hipness and seediness." (The Director: Pau Miró)
"Within one year Miró has initiated three plays and has completed the trilogy that takes place in a laundry in the district of Raval where the characters identify with wild animals. The play is set in the fifties and deals with the limitations of the Franquismo. It shows how the characters turn to a silent fantasy to get over their frustration. (Pau Miró)
"Jirafas, the grandparents. In Lleons, parents. And Búfals, children." (The secrets of giraffes)
"But whether it relieves or agitates, whether it darkens or illuminates, it is never limited to a mere description of reality. Its function always consists in appealing to the whole man, in permitting the “I” to identify itself with someone else’s life and to take on what isn’t but may possibly be. Even a great instructive artist such as Brecht doesn’t act only with reason and arguments; he also resorts to sentiments and suggestion. (…) Art is necessary for man to be aware of and to change the world. But it is also necessary for the magic inherent to it." (The Necessity of Art by Ernst Fischer)


:: Note :: ... Canadian premier in Saskatoon ...