"So, in the final ROM scheme, none of the steel will be left exposed. All of it will be disguised behind massive amounts of drywall or an anodized aluminum roof. There's too much to distract an audience looking upon an integrated truss system whereby 3,000 pieces of steel (each weighing about three tons) have been miraculously joined together. . . Not one piece stands in a perfect vertical line. Chaos and disorder have been bolted together."
"For Toronto, backed by the intelligent engineering of Halsall Associates, Libeskind is delivering the Spirit House, a towering, gyrating central void that begins within a basement exhibition space and rises up several storeys from the main entrance court. Libeskind wants to control the way that we think, and, ultimately, how we behave. Thoughts -- whether they be exhilarating or sanitized -- are easier to contain within drywall. . ."
"What's more, the strategy of wrap and hide -- the dishonesty of contemporary architecture -- is a concept that has grown tiresome for certain architects operating around the world."(globeandmail.com |Raw metal)
:: note :: . . . wrap and hide . . .