Friday, January 04, 2013

course 2


Expressive Movement IV: The way towards a personal movement training.

Investigating creative potentialities through a rigorous confrontation with the elements of an actors movement/action.

 Aspects of inquiry:
- Centering, grounding, body mapping, rhythm and flow
- Space awareness devoted to:  taking care and reacting to the space, spatial  balancing, creating partnership with the space, in the space with an object.                                    
- Pre-creative potentialities of movement.
- Plastiques and Corporals 
(Jerzy Grotowski and the Teatr Laboratorium)
- Relations between precision and organicity.
- Associations: the impulses / the vigilant mind.
- Associations within a structure.
- Gesture (Michael Chekov)
- Methodologies: theory and performance praxis  
- Dancingness: Aliveness, presence and encounter
- Reveal, activate and transform

Participation / 40

Projects / 60

1. Individual / 20
Keep a detailed journal/log of class experiences. The log will include a research section and a practical exploration of the concepts of Joseph Chaikin: 'space', 'place', territory', 'zone', 'sphere', 'abandonment', 'exile', 'occupation' and 'habitation'

2. Partner Object / 20
Take inspiration from different types of iconography which affect physicality. Through an intense improvisational journey create a dancingness with partner.

3. Group / 20
 Create a group session to reflect on the terms investigations

:: Note :: ... courses are pretty much the same as both groups are experiencing new work ... 

Thursday, January 03, 2013

course


Fundamentals of Movement II: An actors movement training.

Investigating an actors training through a rigorous confrontation with movement on the body, movement in space and movement as encounter.

 Aspects of inquiry:

- Centering, grounding, body mapping, rhythm and flow
- Space awareness devoted to: taking care and reacting to the space, spatial  balancing, creating partnership with the space
- Plastiques and Corporals. 
(Jerzy Grotowski and the Teatr Laboratorium)                                    
- Mask in movement.
- Relaxation, flexibility, discipline, spontaneity.
- Attention and connection.
- Working with the dreaming body.
- Associations and impulses.
- Gesture. (Michael Chekov)
- Energy, lightness and precision.
- Creation of a movement score: its logic and actions.
- Methodologies: theory and performance praxis.  
- Dancingness, Aliveness, Encounter.

Participation / 40

Projects / 60

1. Individual / 20
Keep a detailed journal/log of class experiences. The log will include a Research Section.

2. Individual Mask Dance / 20
Take inspiration from different types of sources that affect physicality and interconnection. Compose an étude (movement patterns) sourcing work with the mask.

3. Group Text Rendering / 20
Work with selected fragments of texts studying ways words associate towards gesture and action. Root words in the body to study the interdependence of actions with physicality. Devise an action and a Deed.

:: Note :: ... thought to place course outline here ... maybe a bad thought ...