Saturday, March 22, 2003


". . .the 90-minute work submerges an audience in an exotic pool of music, image and text that is certainly without the life raft of literal meaning that some theatergoers need to keep their interest afloat. But if you are willing to be seduced, the bewitching and breathtakingly eclectic spirit of the show, which runs through Sunday, can make you feel fluent in a new language. . .

The Japanese word hashirigaki refers both to a flowing, cursive script and to the idea of talking while walking; the word suggests a forward motion on the one hand and the attempt to capture a moment on the other. And though the show has no plot in the conventional sense, it does render abstractly - and with great beauty - this conflict between life's evanescence and the natural human yearning to give it some kind of concrete meaning. And it does build to a kind of sweetly melancholy climax of resignation. . . ."

(nytimes: Arts) (Reviews)